A cinematic luxury fragrance campaign photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. A tight medium close-up at eye level. They press the bottle to the right side of the jawline, cradled between an open palm and the cheekbone, its front face square to the lens, the amber liquid inside catching a single low warm tungsten kicker from camera-right, the cap sitting just above the cheekbone like a dark crown. Damp loose waves fall across the forehead and temples, a few wet strands clinging to the cheek. The gaze is straight into the lens, unflinching and sovereign — not seductive, just present. The free hand rests at the base of the bottle, two fingers visible, short unpolished nails, knuckles with real bone structure. The liquid glows like a held ember and is the warmest object in frame. The product carried in frame is the exact product shown in @image_2 — keep its bottle shape, proportions, glass, cap, collar, colour and any branding precisely as in that reference, the same physical item photographed into this scene, never a substitute or a redesign. The setting is a deep moody forest-green chamber so saturated it reads near-black — velvet-matte, no visible texture, only depth, falling to true black at the corners. Palette locked absolute: deep forest-green near-black, warm amber liquid, warm amber lit skin, cool green-shadow skin — no blue, no pink, no red, no neutral grey, no pure white beyond a thin specular edge on the glass. Single-source warm tungsten only — no fill, no rim, no second source — with sharp falloff into the green dark. Skin is dewy but never plastic: full pore map, fine baby hairs catching the light, individual brow and lash hairs, matte lip texture with a naturally chapped centre, warm amber subsurface scatter on the lit side and cool green in shadow, no airbrushing. Phase One medium format, Kodak Portra 800 pushed one stop, heavy analog grain, matte finish, severely underexposed shadows. Photographic realism — shot, not rendered. No studio equipment, no light stands, no reflectors, no text, no overlays, no borders.
