A cinematic luxury fragrance campaign photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. A pure side-profile medium close-up at eye level, the face turned ninety degrees from camera. They hold the bottle directly under the chin, its front face parallel to the camera plane, the amber liquid reading as a warm vertical lantern against the green-shadowed throat. The face is almost entirely silhouette: a single thin warm tungsten rim from camera-left behind them traces the nose ridge, the cupid's bow, the underside of the chin and the curve of the cheekbone in one unbroken amber thread, while the front plane falls into deep green-shadow. Hair is pulled back damp and low at the nape, a few escaped strands at the temple glowing thread-thin. The bottle is the brightest object in the composition. The product carried in frame is the exact product shown in @image_2 — keep its bottle shape, proportions, glass, cap, collar, colour and any branding precisely as in that reference, the same physical item photographed into this scene, never a substitute or a redesign. The setting is a deep moody forest-green chamber so saturated it reads near-black — velvet-matte, no visible texture, only depth, falling to true black at the corners. Palette locked absolute: deep forest-green near-black, warm amber liquid, warm amber lit skin, cool green-shadow skin — no blue, no pink, no red, no neutral grey, no pure white beyond a thin specular edge on the glass. Single-source warm tungsten only — no fill, no rim, no second source — with sharp falloff into the green dark. Skin is dewy but never plastic: full pore map, fine baby hairs catching the light, individual brow and lash hairs, matte lip texture with a naturally chapped centre, warm amber subsurface scatter on the lit side and cool green in shadow, no airbrushing. Phase One medium format, Kodak Portra 800 pushed one stop, heavy analog grain, matte finish, severely underexposed shadows. Photographic realism — shot, not rendered. No studio equipment, no light stands, no reflectors, no text, no overlays, no borders.
