A cinematic luxury fragrance campaign photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. A three-quarter shoulder-up shot from slightly above eye level. They press the bottle flat against the right collarbone, held in the right hand with its front face at a soft three-quarter angle, the cap just below the hollow of the throat. The head tilts forward and slightly left, chin tucked, eyes cast down toward the bottle rather than at the camera — private, internal. Damp waves fall forward in a heavy curtain across the right side of the face, covering that eye and cheekbone almost entirely; the left side stays exposed, lashes lowered, mouth unsmiling. A warm tungsten source from camera-left at high three-quarter height lights the left forehead, left cheekbone, nose bridge and the top plane of the bottle, igniting the liquid from within, while the right half falls deep into green-shadow. The product carried in frame is the exact product shown in @image_2 — keep its bottle shape, proportions, glass, cap, collar, colour and any branding precisely as in that reference, the same physical item photographed into this scene, never a substitute or a redesign. The setting is a deep moody forest-green chamber so saturated it reads near-black — velvet-matte, no visible texture, only depth, falling to true black at the corners. Palette locked absolute: deep forest-green near-black, warm amber liquid, warm amber lit skin, cool green-shadow skin — no blue, no pink, no red, no neutral grey, no pure white beyond a thin specular edge on the glass. Single-source warm tungsten only — no fill, no rim, no second source — with sharp falloff into the green dark. Skin is dewy but never plastic: full pore map, fine baby hairs catching the light, individual brow and lash hairs, matte lip texture with a naturally chapped centre, warm amber subsurface scatter on the lit side and cool green in shadow, no airbrushing. Phase One medium format, Kodak Portra 800 pushed one stop, heavy analog grain, matte finish, severely underexposed shadows. Photographic realism — shot, not rendered. No studio equipment, no light stands, no reflectors, no text, no overlays, no borders.
