A cinematic luxury fragrance campaign photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. A wide low-angle shot at chest height. They stand centred in the chamber with the right arm extended fully toward the lens, the bottle held in an open palm and pushed into the foreground so it dominates the frame, front face square and proud, cap toward the camera. The body recedes behind it in shallow-focus falloff — the bottle tack-sharp at the lens plane, the face in mid-focus above it, gaze locked straight into the lens past the cap, sovereign and disinterested. At the left edge a tall slim hammered brass incense holder rises to hip height, a single thin ribbon of pale smoke curling past the shoulder and dissolving into the green dark, catching the kicker as a soft warm thread that never reads cold or grey. A warm tungsten source from camera-right at chest height lights the bottle, the extended hand and forearm, the cheekbone and the smoke. The product carried in frame is the exact product shown in @image_2 — keep its bottle shape, proportions, glass, cap, collar, colour and any branding precisely as in that reference, the same physical item photographed into this scene, never a substitute or a redesign. The setting is a deep moody forest-green chamber so saturated it reads near-black — velvet-matte, no visible texture, only depth, falling to true black at the corners. Palette locked absolute: deep forest-green near-black, warm amber liquid, warm amber lit skin, cool green-shadow skin — no blue, no pink, no red, no neutral grey, no pure white beyond a thin specular edge on the glass. Single-source warm tungsten only — no fill, no rim, no second source — with sharp falloff into the green dark. Skin is dewy but never plastic: full pore map, fine baby hairs catching the light, individual brow and lash hairs, matte lip texture with a naturally chapped centre, warm amber subsurface scatter on the lit side and cool green in shadow, no airbrushing. Phase One medium format, Kodak Portra 800 pushed one stop, heavy analog grain, matte finish, severely underexposed shadows. Photographic realism — shot, not rendered. No studio equipment, no light stands, no reflectors, no text, no overlays, no borders.
