A cinematic luxury fragrance campaign photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. A full-length wide shot at a slightly low angle, the body filling the vertical frame from feet to crown. They hold the bottle at the right hip in a cupped hand, its front face square to the lens, cap pointing up toward the elbow, the amber liquid glowing like a held ember at the hip line. They stand on a deep forest-green moss bed that dissolves into green dark at the edges, rendered with individual tufts where the pool reaches. A white pearl strand falls from the hollow of the throat and disappears under damp hair, catching the light in tiny warm specular threads. At the lower left a hammered brass bud vase holds three white tulips on deep green stems, softly out of focus. They wear a deep forest-green silk slip dress to mid-calf with a soft bias drape, catching low warm specular threads at the bust and hip. Head level, chin slightly lifted, gaze straight into the lens. A single warm tungsten source directly overhead pools onto the crown, face, collarbones, the bottle, the dress and the moss underfoot. The product carried in frame is the exact product shown in @image_2 — keep its bottle shape, proportions, glass, cap, collar, colour and any branding precisely as in that reference, the same physical item photographed into this scene, never a substitute or a redesign. The setting is a deep moody forest-green chamber so saturated it reads near-black — velvet-matte, no visible texture, only depth, falling to true black at the corners. Palette locked absolute: deep forest-green near-black, warm amber liquid, warm amber lit skin, cool green-shadow skin — no blue, no pink, no red, no neutral grey, no pure white beyond a thin specular edge on the glass. Single-source warm tungsten only — no fill, no rim, no second source — with sharp falloff into the green dark. Skin is dewy but never plastic: full pore map, fine baby hairs catching the light, individual brow and lash hairs, matte lip texture with a naturally chapped centre, warm amber subsurface scatter on the lit side and cool green in shadow, no airbrushing. Phase One medium format, Kodak Portra 800 pushed one stop, heavy analog grain, matte finish, severely underexposed shadows. Photographic realism — shot, not rendered. No studio equipment, no light stands, no reflectors, no text, no overlays, no borders.
