A cinematic luxury fragrance campaign photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. A medium close-up at eye level looking down a few degrees. They hold the bottle vertically between cupped palms at sternum height, fingers splayed gently along the left and right glass edges, thumbs meeting at the front face just below its centre, cap pointing up toward the chin. The chin tucks slightly toward the top of the cap and the gaze rises over it, locking straight into the lens with sovereign disinterest — the eyes are the dominant focal point above the bottle, individual upper and lower lash hairs tack-sharp, brow hairs visible and uncombed. Bare shoulders and collarbones are warm-olive where the kicker grazes them and fall to green-shadow at the deltoids; knuckles, finger joints and fine wrist tendons all rendered with real bone structure, short unpolished nails. A warm tungsten source from camera-right at chest height lights the bottle, both hands, the cheekbones, the brow ridge and the eyes. The product carried in frame is the exact product shown in @image_2 — keep its bottle shape, proportions, glass, cap, collar, colour and any branding precisely as in that reference, the same physical item photographed into this scene, never a substitute or a redesign. The setting is a deep moody forest-green chamber so saturated it reads near-black — velvet-matte, no visible texture, only depth, falling to true black at the corners. Palette locked absolute: deep forest-green near-black, warm amber liquid, warm amber lit skin, cool green-shadow skin — no blue, no pink, no red, no neutral grey, no pure white beyond a thin specular edge on the glass. Single-source warm tungsten only — no fill, no rim, no second source — with sharp falloff into the green dark. Skin is dewy but never plastic: full pore map, fine baby hairs catching the light, individual brow and lash hairs, matte lip texture with a naturally chapped centre, warm amber subsurface scatter on the lit side and cool green in shadow, no airbrushing. Phase One medium format, Kodak Portra 800 pushed one stop, heavy analog grain, matte finish, severely underexposed shadows. Photographic realism — shot, not rendered. No studio equipment, no light stands, no reflectors, no text, no overlays, no borders.
