A high-fashion editorial photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. A full-length portrait with a 28mm lens from a slightly low angle, a single hard on-camera flash casting a crisp dark silhouette onto the white panelled wall behind. They stand tall on the seat of a champagne crushed-velvet sofa, feet apart, hands on hips, shoulders squared and chin up in a direct unsmiling gaze straight down the lens, dark hair slicked into a tight high ponytail. The wall shadow mirrors their full outline; warm wood floor and specular velvet highlights add contrast. They wear a structured olive utility jumpsuit cuffed at the wrists and unzipped to the sternum over a cream tube top, with black derby shoes. A soft high-key editorial room with white panelled walls and a warm aged-wood plank floor, dressed with champagne-toned crushed-velvet furniture, a slim illustrated conical floor lamp and a pale ceramic jug of dried wildflowers at the edges of the frame. Even diffuse natural daylight, nearly shadowless with soft highlights on velvet and silk. Crisp digital editorial capture, deep depth of field with sharp focus front to back, fine restrained grain, refined minimal colour grading — poised, austere, magazine-cover finish. Realistic skin with visible pores and natural texture, no airbrushing. No text, no logos, no watermark.
