A high-key beauty-editorial jewellery photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. An extreme close-up beauty-editorial portrait in side profile, chin slightly down, half-lidded and serene, dark lashes and brow tack-sharp. Hair is swept back off the face so the ear and the full length of the piece read clean against the jaw and neck. The jewellery hangs free along the jawline and is the sharpest thing in frame, its stones catching the window light with fine fire. The jewellery worn in frame is the exact jewellery shown in @image_2 — keep its metal colour, stones, setting, proportions and any branding precisely as in that reference, the same physical piece photographed onto this person, never a substitute or a redesign. High-key bright exposure with soft window light from camera left. A cream cable-knit throw fills the background, blown out and softly out of focus. Warm palette of cream, blush and gold only. Micro skin realism — visible pores, fine peach fuzz, natural texture, absolutely no airbrushing. Serene, non-smiling editorial stillness. Kodak Portra 400 emulation, matte finish, heavy analog grain that sits on the fabric and background and NEVER on skin. 100mm macro, shallow depth of field. Photographic realism — shot, not rendered. No text, no logos, no watermark.
