A high-key beauty-editorial jewellery photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. An extreme close-up portrait where they rest the side of the face against their own open palm, fingers curved along the cheekbone so the hand covers half the face and frames a single visible eye. Only one eye, the bridge of the nose and softly parted glossy lips show, resting against the wrist. The wrist and forearm angle diagonally across the lower frame toward the lens, carrying the jewellery as layered arm candy — bold and youthful, catching the light with sharp brilliance on the stones while the metal reads warm and buttery. The jewellery worn in frame is the exact jewellery shown in @image_2 — keep its metal colour, stones, setting, proportions and any branding precisely as in that reference, the same physical piece photographed onto this person, never a substitute or a redesign. High-key bright exposure with soft window light from camera left. A cream cable-knit throw fills the background, blown out and softly out of focus. Warm palette of cream, blush and gold only. Micro skin realism — visible pores, fine peach fuzz, natural texture, absolutely no airbrushing. Serene, non-smiling editorial stillness. Kodak Portra 400 emulation, matte finish, heavy analog grain that sits on the fabric and background and NEVER on skin. 100mm macro, shallow depth of field. Photographic realism — shot, not rendered. No text, no logos, no watermark.
