A high-key beauty-editorial jewellery photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. An extreme close-up beauty-editorial portrait in near profile, the cream cable-knit throw pulled up over the head and framing the face like a hood, its texture soft and blown out. Chin slightly down, gaze lowered, serene and still. The jewellery emerges from beneath the knit at the ear and hangs long and clean beside the cheek, tack-sharp against the softness of the wool. The jewellery worn in frame is the exact jewellery shown in @image_2 — keep its metal colour, stones, setting, proportions and any branding precisely as in that reference, the same physical piece photographed onto this person, never a substitute or a redesign. High-key bright exposure with soft window light from camera left. A cream cable-knit throw fills the background, blown out and softly out of focus. Warm palette of cream, blush and gold only. Micro skin realism — visible pores, fine peach fuzz, natural texture, absolutely no airbrushing. Serene, non-smiling editorial stillness. Kodak Portra 400 emulation, matte finish, heavy analog grain that sits on the fabric and background and NEVER on skin. 100mm macro, shallow depth of field. Photographic realism — shot, not rendered. No text, no logos, no watermark.
