A high-key beauty-editorial jewellery photograph of the person shown in @image_1 — keep their face, hair, skin tone and identity exactly as in the reference, the same person photographed into this scene. An extreme close-up portrait, the face turned three-quarters to the lens with the gaze just off camera, serene and non-smiling. They bring one hand up so the fingers rest lightly below the chin, the back of the hand catching the window light. Two pieces read at once and both stay tack-sharp: one at the ear, one on the finger, the skin between them rendered with full pore and peach-fuzz detail. The jewellery worn in frame is the exact jewellery shown in @image_2 — keep its metal colour, stones, setting, proportions and any branding precisely as in that reference, the same physical piece photographed onto this person, never a substitute or a redesign. High-key bright exposure with soft window light from camera left. A cream cable-knit throw fills the background, blown out and softly out of focus. Warm palette of cream, blush and gold only. Micro skin realism — visible pores, fine peach fuzz, natural texture, absolutely no airbrushing. Serene, non-smiling editorial stillness. Kodak Portra 400 emulation, matte finish, heavy analog grain that sits on the fabric and background and NEVER on skin. 100mm macro, shallow depth of field. Photographic realism — shot, not rendered. No text, no logos, no watermark.
